Bach Bibliography Search Result - Ordered Chronologically

Author : MacFarren, George Alexander
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	MacFarren, George Alexander:   The Unpublished Works of Mendelssohn. MWorld 31/ 2 (8 Jan 1853), 11-16.
	2.	MacFarren, George Alexander:   On the publications of the Bach Society in Leipsic (From the 'Music Publishers' Circular'). MWorld 31/ 9 (26 Feb 1853), 133-134. [Plan of the project for publication of the complete works (To be continued)].
	3.	MacFarren, George Alexander:   On the publications of the Bach Society in Leipsic (From the 'Music Publishers' Circular'. Continued from page 134). MWorld 31/10 (5 Mar 1853), 147-149. [Plan of the project for publication of the complete works]
	4.	MacFarren, George Alexander:   On the publications of the Bach Society in Leipsic (From the 'Music Publishers' Circular'. Continued from page 149). MWorld 31/13 (26 Mar 1853), 191-192. [Studies of the first publications of the complete works (To be continued)].
	5.	MacFarren, George Alexander:   On the publications of the Bach Society in Leipsic (From the 'Music Publishers' Circular'. Continued from page 192). MWorld 31/14 (2 Apr 1853), 207-209. [Studies of the first publications of the complete works (To be continued)].
	6.	MacFarren, George Alexander:   On the publications of the Bach Society in Leipsic (From the 'Music publishers' Circular'. Continued from page 209). MWorld 31/15 (9 Apr 1853), 222-224. [Analyses (To be continued)].
	7.	MacFarren, George Alexander:   On the publications of the Bach Society in Leipsic (From the 'Music Publishers' Circular'. Concluded). MWorld 31/17 (23 Apr 1853), 260-261.
	8.	MacFarren, George Alexander:   Mendelssohn's St. Paul. MWorld 31/31 (30 Jul 1853), 483-485. (To be continued.)
	9.	MacFarren, George Alexander:   Programme zu Konzerten. 1. Analytisches und historisches Programm zu dem ersten diesjährigen Konzerte der Philharmonischen Gesellschaft in London (Fortsetzung). AllgMlZ(3) 4/21 (26 May 1869), 161-164. [Mendelssohn, Symphonie Nr. 3 in A-moll, op. 56, Lotti, Aria 'Pur dicesti', Schumann, 'Abendlied', op. 85, Nr. 12, J. S. Bach, Loure und Prélude in E-dur für Violine solo, Cherubini, Ouvertüre zu 'Lodoiska' (Schluss folgt)]
	10.	MacFarren, George Alexander:   Bach's 'Grosse Passions-Musik' ('St. Matthew') (From the London 'Musical Times'). DwightJM 29/23 (29 Jan 1870), 177-178. [History and overview of Bach's passions. To be continued]
	11.	MacFarren, George Alexander:   Bach's 'Grosse Passions-Musik' ('St. Matthew') (From the London 'Musical Times'. Continued from page 178). DwightJM 29/25 (26 Feb 1870), 193-194. To be continued.
	12.	MacFarren, George Alexander:   Bach's Grosse Passions-Musik. (St. Matthew.) MTimes 14/323, 324, 325, 326 (Jan, Feb, Mar, Apr 1870), 327-329; 359-361; 391-393; 423-426.
	13.	MacFarren, George Alexander:   Our contemporaries. Bach's 'Matthew Passion'. MWorld 48/16 (16 Apr 1870), 269. [From G. A. Macfarren's preface to the libretto ('Daily Telegraph')]
	14.	MacFarren, George Alexander:   J. S. Bach's music of the 'Passion according to the Gospel of St. John'. DwightJM 32/ 5 (1 Jun 1872), 242-244. [History; poetry; structure; treatment (London 'Musical Times')]
	15.	MacFarren, George Alexander:   J. S. Bach's Music of the Passion according to the Gospel of St. John. MTimes 15/351 (1 May 1872), 463-465. [Chronology of composition and summary of dramatic and musical situations]
	16.	MacFarren, George Alexander:   J. S. Bach's 'Passion of St. Matthew'. DwightJM 33/15 (1 Nov 1873), 113-114. [History of the passion. Summary and analysis of the main musical numbers. To be continued]
	17.	MacFarren, George Alexander:   J. S. Bach's 'Passion of St. Matthew' (Concluded from page 114). DwightJM 33/15 (15 Nov 1873), 122.
	18.	MacFarren, George Alexander:   J. S. Bach's 'Passion of St. Matthew'. MWorld 51/33 (16 Aug 1873), 560. [Overview; genesis; Biblical source; general character (To be continued)] [BWV 244]
	19.	MacFarren, George Alexander:   J. S. Bach's 'Passion of St. Matthew' (Continued from page 560). MWorld 51/34 (23 Aug 1873), 567. [I. Narrative. II. Choral tunes. III. Reflective passages (To be continued)] [BWV 244]
	20.	MacFarren, George Alexander:   J. S. Bach's 'Passion of St. Matthew' (Continued from page 567). MWorld 51/37 (13 Sep 1873), 623-624. [Summary of the dramatic and musical situations (April 1870)] [BWV 244]
	21.	MacFarren, George Alexander:   Bach's Christmas Oratorio. MTimes 16/371 (1 Jan 1874), 347-353. [Summary of dramatic and musical situations]
	22.	MacFarren, George Alexander:   The pictorial power of music. MTimes 17/388 (1 Jun 1875), 103-106. [Examples of programmatic elements in instrumental and vocal music (seventeenth to nineteenth centuries); 'battle' pieces; similarities between music and painting; means of musical expression (harmony, instrumentation, orchestration); comparison between scene in Bach's 'St. Matthew Passion' and Leonardo da Vinci's 'Last Supper']
	23.	MacFarren, George Alexander:   Handel and Bach. Part I. ProceedRMA 11 (1884-85), 33-50. January 5, 1885. H. C. Baister, Esq., In the Chair.
	24.	MacFarren, George Alexander:   Handel and Bach. Part II. ProceedRMA 11 (1884-85), 63-79. March 2, 1885. Mr. William Chappell, In the Chair.
	25.	MacFarren, George Alexander:   Handel and Bach. Part I. MWorld 63/45, 46, 47, 48 (7, 14, 21, 28 Nov 1885), 705-706; 721-722; 737-738; 753-754. [Lecture delivered to the Musical Association]
	26.	MacFarren, George Alexander:   Handel and Bach. Part II (Continued from page 754) MWorld 63/49, 50, 51, 52 (5, 12, 19, 26 Dec 1885), 768-769; 779-780; 795; 811-812. London, Saturday, December 5, 1885. [Lecture delivered to the Musical Association].